{"id":388,"date":"2011-09-08T13:36:47","date_gmt":"2011-09-08T13:36:47","guid":{"rendered":"http:\/\/www.beamingproductions.com\/studios\/?p=388"},"modified":"2020-11-02T13:37:53","modified_gmt":"2020-11-02T13:37:53","slug":"sonic-network-no-9-in-berlin","status":"publish","type":"post","link":"https:\/\/www.beamingproductions.com\/studios\/2011\/09\/08\/sonic-network-no-9-in-berlin\/","title":{"rendered":"Sonic Network no.9 in Berlin"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<pre class=\"wp-block-preformatted\">(Deutsch unten)<\/pre>\n\n\n\n<h2 class=\"wp-block-heading\">Sonic Network No. 9<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">John Aslanidis [AUS], Malerei \/\u00a0Painting\u00a0+ Brian May [GB], Toninstallation \/\u00a0Soundinstallation<\/h2>\n\n\n\n<figure class=\"wp-block-embed-vimeo wp-block-embed is-type-video is-provider-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Sonic Network No.9 @ dr julius a p Berlin\" src=\"https:\/\/player.vimeo.com\/video\/31012676?dnt=1&amp;app_id=122963\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a rel=\"noreferrer noopener\" href=\"http:\/\/www.dr-julius.de\/index.html\" target=\"_blank\">dr. julius | ap<\/a>\u00a0is pleased to announce a cooperation of Australian painter John Aslanidis and Berlin-based British musician Brian May. This will be the first vision + sound installation ever in the gallery of the New Concrete. The exhibition will comprise of a large painting, Sonic Network No.9, constructed of four panels measuring 244 cm in height by 304 cm in length, and a generative sound piece, which will be a response to the painting.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In the sonic network paintings John Aslanidis uses a set of mathematical intervals, which are relative to a grid on each of the four canvases. The drawing he derives these intervals from is akin to a \u201cmusical score\u201d. This is a drawing of compositional intervals, which Aslanidis has used in composing the sonic network series. It is from these compositional points that Brian May has written an algorithm which determines the characteristics and timing of the tones in relation to the points as conceived in the sound piece. The sine wave tones created are audio representations of circular forms.<br>Brian May\u2019s sound piece will be using the programming language for sound synthesis SuperCollider to compose, produce and play the piece, which will be played in conjunction with the painting from a computer through a sound system for the duration of the exhibition. The sound piece is generative and infinite, with no fixed start or end point in the composition. This correlates with the idea of infinity, a basic element of the sonic network series.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Consequently, the interaction between the sound piece, the painting and the observer will always be different, as the painting perpetually shifts upon being viewed and the sound piece emanating from SuperCollider mirrors this. The intention of the sound piece is to create an equivalent of the reverberating patterns and geometric shapes, resembling the patterns in the painting. In addition to this the composer will be taking into consideration the structure and composition of the painting and respond to the moir\u00e9 patterns \u2013 which will be represented via audio interference of the sine waves, known as beat frequencies in the sound piece. Using SuperCollider, Brian May will be able to create sounds which correspond to colours emanating from the painting. Order and chaos is present in both the sound piece and the painting, the resulting effect being one of synergy between analogue and digital mediums.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Brian May [born 1966 in Manchester, GB] has been producing and performing music across Australia, Japan, Europe and North America since 1990. Currently he is working as music producer and sound artist in Berlin, performing on a regular basis internationally. The first collaboration between John Aslanidis and Brian May was in an exhibition at Austral Avenue Melbourne in 2006. In this exhibition Brian May composed a sound piece in response to Sonic Network No. 2.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">John Aslanidis [* 1961 in Sydney, AUS] has a history working in the area of music and sound, having been part of Clan Analogue \u2013 a collective of sound and visual artists based in Sydney and Melbourne in the 1990s \u2013 and later being a visual artist on Zonar recordings, an electronic music label based in the late 1990s and early 2000s In 2011, for the exhibition \u201cSounds Good\u201d, curated by Claudia Calirman at Location One in New York, John Aslanidis, Katy Dove, Phoebe Hui, Sophie Hunter, Miler Lagos, John O\u2019Connell, Gonzalo Puch, and Zane Saunders all collaborated to create a visual responses to a collaborative sound piece. In addition to this Aslanidis participated in the exhibition \u201cSound and Vision\u201d at Mc Kenzie Fine Art In New York, with Gilbert Hsiao, Daniel Hill and Laura Watt. Aslanidis has been participating in \u201cmehrfach -_ multiple\u201d in December 2010, a group exhibition featuring all dr. julius | ap artists.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(Deutsch)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">dr. julius | ap zeigt in der Galerie der Neuen Konkreten mit der Kooperation des australischen Malers John Aslanidis und dem in Berlin lebenden Musiker Brian May aus Gro\u00dfbritannien erstmals eine Bild+Ton-Installation. Gemeinsam setzen Aslanidis und May das gro\u00dfformatige Gem\u00e4lde Sonic Network No.9, das aus vier Tafeln besteht und 244 cm in der H\u00f6he mal 304 cm in der Breite misst, sowie ein generatives Musikst\u00fcck, das als Antwort auf die Malerei konzipiert ist, mit einander in Beziehung.<br>In seiner Gem\u00e4lde-Serie Sonic Network verwendet John Aslanidis jeweils eine Reihe mathematisch entwickelter Intervalle, welche durch ein auf die Leinwand \u00fcbertragenes Raster Brennpunkte sich \u00fcberlagernder Kreisgeometrien definieren. Diese in Zeichnungen erarbeiteten kompositorischen Intervalle werden dabei gewisserma\u00dfen zur \u201ePartitur\u201c der Gem\u00e4lde dieser seit vielen Jahren bearbeiteten Serie.<br>Ausgehend von diesen kompositorischen Fixpunkten in Aslandis\u2019 Gem\u00e4lde Sonic Network No. 9 hat Brian May einen Algorithmus entwickelt, der die Charakteristika und die zeitliche Abfolge der T\u00f6ne in Bezug auf diese Punkte bestimmt. Das dadurch entstehende Klang-St\u00fcck ist so konzipiert, dass ausschlie\u00dflich reine Sinus-T\u00f6ne unterschiedlicher Wellenl\u00e4ngen erzeugt werden. Diese werden somit zu Audio-Darstellungen der Kreisformen des Gem\u00e4ldes.<br>Brian May verwendet f\u00fcr seine Tonkomposition die f\u00fcr Echtzeit-Klangsynthese und algorithmische Komposition entwickelte Programmiersprache SuperCollider, mit welcher das St\u00fcck sowohl produziert als auch wiedergegeben wird. In der Ausstellung wird es als mit dem Gem\u00e4lde korrelierende Toninstallation \u00fcber ein im Raum angebrachtes Sound-System von einem Computer in Echtzeit erzeugt werden.<br>Das Klang-St\u00fcck ist generativ und endlos, ohne festen Anfangs- oder Endpunkt. Dies korreliert mit der Idee unendlicher Fortsetzung geometrischer Strukturen, die ein grundlegendes Element der Sonic Network-Serie ist. Folglich wird sich die Gesamt-Wahrnehmung der Ausstellung durch die Interaktion von Klang-St\u00fcck, Gem\u00e4lde und Betrachter permanent wandeln: Die durch die \u00c4nderung des Blickwinkels best\u00e4ndig auftretenden optischen Verschiebungen der geometrischen Formen des Gem\u00e4ldes werden im Klang-St\u00fcck mithilfe der Programmierung von SuperCollider jeweils als sich ver\u00e4ndernde Tonfrequenzen gespiegelt.<br>Die Intention des Klang-St\u00fccks ist es somit, ein h\u00f6rbares \u00c4quivalent zu den optisch vibrierenden Mustern und geometrischen Formen der Malerei zu erzeugen. Die grundlegenden Charakteristika des Gem\u00e4ldes wie Farbe, Struktur, Komposition sowie die durch die mehrschichtigen Kreisgeometrien entstehenden Moir\u00e9-Muster werden durch die vielf\u00e4ltigen \u00dcberlagerungen der Sinus-Tonwellen des Klang-St\u00fccks reflektiert. Weitere Gesichtspunkte der Bild+Ton-Installation sind etwa die Frage nach Ordnung und Chaos, welche sowohl durch die generative Toninstallation als auch in der Malerei gestellt wird, sowie das Verh\u00e4ltnis von analogen und digitalen Medien und deren m\u00f6glichen Synergien als Resultat ihrer Kombination.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Brian May [*1966 in Manchester, GB] komponiert, produziert und spielt seine Musik seit 1990 in Australien, Japan, Europa und Nordamerika. Derzeit lebt und arbeitet er als Musikproduzent und Klangk\u00fcnstler in Berlin und tritt regelm\u00e4\u00dfig auf internationalen B\u00fchnen und Festivals sowie in Klubs weltweit auf. Die erste Zusammenarbeit von John Aslanidis und Brian May fand in einer Ausstellung in der Galerie Austral Avenue in Melbourne im Jahr 2006 statt. Dabei entwickelte Brian May ein Musikst\u00fcck in Reaktion auf Sonic Network No. 2.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">John Aslanidis [*1961 in Sydney, AUS] lebt und arbeitet in Melbourne. Er hat als Maler eine intensive Beziehung zu Musik und Klang: Er war in den 1990er Jahren Mitglied des Clan Analogue, einem Kollektiv von Klang- und bildenden K\u00fcnstlern in Sydney und Melbourne und sp\u00e4ter bildender K\u00fcnstler des elektronischen Musik-Labels Zonar Recordings. In der Ausstellung \u201eSight and Sound \u2013 die Geschichte der Musik und Abstraktion in der australischen Kunst\u201c, die von Steven Tonkin im Arts Centre in Melbourne im Juni 2010 kuratiert wurde, arbeitete John Aslanidis mit dem Cellist und Komponist Ben Skepper aus Tokio zusammen, der ebenfalls ein Musikst\u00fcck auf das Gem\u00e4lde Sonic Network No. 2 komponierte. 2011 folgte \u201eSounds Good\u201c, eine von von Claudia Calirman in Location One in New York kuratierte Gruppenausstellung, in der John Aslanidis, Katy Dove, Phoebe Hui, Sophie Hunter, Miler Lagos, John O\u2018Connell, Gonzalo Puch und Zane Saunders eine kollektive visuelle Reaktion auf ein gemeinsames Musikst\u00fcck erarbeiteten. Zus\u00e4tzlich war Aslanidis 2011, gemeinsam mit Gibert Hsiao, Daniel Hill und Laura Watt, an der Ausstellung \u201eSound and Vision\u201c bei McKenzie Fine Art in New York beteiligt. Aslanidis ist mit dr. julius | ap seit der Ausstellung \u201emehrfach\u2004_\u2004multiple\u201c im Dezember 2010 verbunden.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>(Deutsch unten) Sonic Network No. 9 John Aslanidis [AUS], Malerei \/\u00a0Painting\u00a0+ Brian May [GB], Toninstallation \/\u00a0Soundinstallation dr. julius | ap\u00a0is pleased to announce a cooperation of Australian painter John Aslanidis and Berlin-based British musician Brian May. This will be the first vision + sound installation ever in the gallery of the New Concrete. The exhibition <a href=\"https:\/\/www.beamingproductions.com\/studios\/2011\/09\/08\/sonic-network-no-9-in-berlin\/\" rel=\"nofollow\"><span class=\"sr-only\">Read more about Sonic Network no.9 in Berlin<\/span>[&hellip;]<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-388","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7dDnm-6g","jetpack-related-posts":[{"id":401,"url":"https:\/\/www.beamingproductions.com\/studios\/2013\/03\/13\/sonic-network-no-13-at-gallery-9-sydney\/","url_meta":{"origin":388,"position":0},"title":"Sonic Network no.13 at Gallery 9 Sydney","author":"Studios","date":"March 13, 2013","format":false,"excerpt":"Falling in Sydney art week, this month long installation met a large and enthusiastic crowd over the weeks. review https:\/\/www.youtube.com\/watch?v=TGTxRLRaEb4 Das Platform interview \u2013 John Aslanidis & Brian May https:\/\/vimeo.com\/72860605 Documentation from the installation in Gallery 9 Sonic Network no. 13 presents a shifting sound and visual experience, initiated by\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.beamingproductions.com\/studios\/wp-content\/uploads\/2020\/11\/ConcretePlayground-300x80-1.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":646,"url":"https:\/\/www.beamingproductions.com\/studios\/2023\/08\/01\/sonic-installations\/","url_meta":{"origin":388,"position":1},"title":"Sonic Installations","author":"Studios","date":"August 1, 2023","format":false,"excerpt":"Sonic Installations originate from the Sonic Network sound + painting installations exhibited by John Aslanidis & Brian May in contemporary art spaces and galleries throughout Sydney, Melbourne, New York and Berlin. The 3D animations in this collection are an expansion of the physical Sonic Network sound & painting installations. VISUAL\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.beamingproductions.com\/studios\/wp-content\/uploads\/2023\/08\/SN16_4.jpg?fit=540%2C540&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.beamingproductions.com\/studios\/wp-content\/uploads\/2023\/08\/SN16_4.jpg?fit=540%2C540&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.beamingproductions.com\/studios\/wp-content\/uploads\/2023\/08\/SN16_4.jpg?fit=540%2C540&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":398,"url":"https:\/\/www.beamingproductions.com\/studios\/2012\/11\/21\/sonic-network-no-8-at-substation-melbourne\/","url_meta":{"origin":388,"position":2},"title":"Sonic Network no.8 at Substation Melbourne","author":"Studios","date":"November 21, 2012","format":false,"excerpt":"Documentation of the Sonic Network no.8 installation at\u00a0Substation, Melbourne Australia. https:\/\/vimeo.com\/59484957 Sonic Network no. 8 presents a shifting sound and visual experience, initiated by the interplay of Aslanidis optical painting and May\u2019s immersive soundscape . The painting, Sonic Network no. 8, contains a grid relative to a set of mathematical\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.beamingproductions.com\/studios\/wp-content\/uploads\/2020\/11\/Artist-Talk-Sonic-Network-8-300x300-1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":390,"url":"https:\/\/www.beamingproductions.com\/studios\/2012\/04\/08\/sonic-network-no-9-white-box-nyc\/","url_meta":{"origin":388,"position":3},"title":"Sonic Network no.9 @ White Box NYC","author":"Studios","date":"April 8, 2012","format":false,"excerpt":"Documentation of the Sonic Network no.9 installation by Australian painter John Aslanidis and Australian \/ British musician Brian May at White Box NYC. The installation comprises of a large painting, Sonic Network No.9, constructed from four panels measuring 244 cm in height by 304 cm in length, and a generative\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":417,"url":"https:\/\/www.beamingproductions.com\/studios\/2015\/06\/30\/sonic-network-no-14-in-sydney-berlin\/","url_meta":{"origin":388,"position":4},"title":"Sonic Network no.14 in Sydney &#038; Berlin","author":"Studios","date":"June 30, 2015","format":false,"excerpt":"2 events running (almost) in parallel: \u2018Sonic Network no. 14\u2019 the latest in the series and the largest work John Aslanidis has made to date and will be shown at Gallery 9 alongside a new generative sound piece by Berlin-based sound artist Brian May \u2013 June 30th to July 25th.\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.beamingproductions.com\/studios\/wp-content\/uploads\/2020\/11\/sonic-network-no.14-300x488-cm-2014-e1435683576237.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.beamingproductions.com\/studios\/wp-content\/uploads\/2020\/11\/sonic-network-no.14-300x488-cm-2014-e1435683576237.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.beamingproductions.com\/studios\/wp-content\/uploads\/2020\/11\/sonic-network-no.14-300x488-cm-2014-e1435683576237.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.beamingproductions.com\/studios\/wp-content\/uploads\/2020\/11\/sonic-network-no.14-300x488-cm-2014-e1435683576237.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":396,"url":"https:\/\/www.beamingproductions.com\/studios\/2012\/10\/19\/sonic-network-no-9-at-kunsthalle-beacon-ny\/","url_meta":{"origin":388,"position":5},"title":"Sonic Network No.9 at Kunsthalle Beacon NY","author":"Studios","date":"October 19, 2012","format":false,"excerpt":"Special installation at Kunsthalle Beacon in upstate New York, USA. Video of the installation below: https:\/\/vimeo.com\/57598380 Documentation of an installation by Australian painter John Aslanidis and Australian \/ British musician Brian May.The installation comprises of a large painting, Sonic Network No.9, constructed from four panels measuring 244 cm in height\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.beamingproductions.com\/studios\/wp-json\/wp\/v2\/posts\/388","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.beamingproductions.com\/studios\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.beamingproductions.com\/studios\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.beamingproductions.com\/studios\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.beamingproductions.com\/studios\/wp-json\/wp\/v2\/comments?post=388"}],"version-history":[{"count":1,"href":"https:\/\/www.beamingproductions.com\/studios\/wp-json\/wp\/v2\/posts\/388\/revisions"}],"predecessor-version":[{"id":389,"href":"https:\/\/www.beamingproductions.com\/studios\/wp-json\/wp\/v2\/posts\/388\/revisions\/389"}],"wp:attachment":[{"href":"https:\/\/www.beamingproductions.com\/studios\/wp-json\/wp\/v2\/media?parent=388"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.beamingproductions.com\/studios\/wp-json\/wp\/v2\/categories?post=388"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.beamingproductions.com\/studios\/wp-json\/wp\/v2\/tags?post=388"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}